In my practice, it reveals an almost never round or linear action. A rhizomatic openness, sometimes somewhat erotic, sometimes perhaps heretical. A porosity towards voices, sounds and silences, desired or accidental. An immersion in spoken, signed or invented languages; in concrete (tangible), evoked or non-existent sounds; a dialogue with voices outside or inside us. It requires curiosity, recognition of otherness. It is a time we give to ourselves to eventually change, a time to agree even to disagree.
